ALLISON WEISS, MEET THE SUN
Sat, May 6, 2017
Doors: 7:00 pm / Show: 7:30 pm
$14.00 - $16.00
This event is 21 and overhttp://www.valleybarphx.com/event/1415271/
Kasher’s forthcoming third solo album No Resolution (which will also be the first release from 15 Passenger, the new label founded and run by Cursive) is no exception, delivering what is arguably his most ambitious and intrepid work to date.
No Resolution is the natural continuation of Tim Kasher’s constantly evolving body of work. It is his most cinematic creation, a moving and cathartic collection of soundscapes that feels more like a suite of movements than a standard pop album, complete with instrumental breaks conjoining the nine songs. Fittingly, the 15 pieces will be featured in Kasher’s directorial debut film of the same name, which he also wrote, to be released later this year. Across the album’s strong story the characters – an engaged couple on the brink of a break up – grapple with the specific and the broad, including the restlessness of adulthood and smothering external pressures; relationships in various states of transition and the walls built within them; distrust, indecision, and despair; and the existential anxiety that drives a deep need to leave a mark on the world.
Filled with lush arrangements, No Resolution is some of the most beautiful and finely orchestral music from Kasher, yet it is also his most subdued and understated work. The string arrangements that dominate the album don’t simply hang in the background or accent the pretty melodies, they move the songs forward and force out the melodies as guitars do in traditional hard rock music. There is also a warm sophistication to No Resolution, with its fluid vibraphone tones, and also exhibits Kasher’s deft pop hand, with sudden horn blasts and dynamic shifts.
Kasher recorded the album at The Hobby Shop (with Andrew ‘mudrock’ Murdock) and at home in Los Angeles, CA, the Shape Shoppe in Chicago, IL (with Nick Broste), and at ARC Studios in Omaha, NE (with Ben Brodin), with additional arrangements by Patrick Newbery (Cursive, Oquoa) and percussion arrangements by Dylan Ryan (Sand, Rainbow Arabia).
Weiss first picked up the guitar at the age of 14. Inspired by pop punk and the ups-and-downs of young relationships, her journey began. Throughout it all, Weiss always embraced a DIY ethic. "I've always been a shameless self promoter. I never counted on finding anyone who believed in me as much as I did, so I just learned to handle everything myself" she says.
Confidence in herself mixed with natural online marketing skills has helped Weiss' spread her music to new audiences. Two highly successful Kickstarter campaigns resulted in New York Times and Wired Magazine features and a panelist position at SXSW.
It was at this point, Weiss made one of the biggest decisions of her life and moved to Brooklyn. The change of scenery brought a whole new mindset when it came to making music. "In the past I was just a sad teenager in my bedroom writing hopeless breakup songs. I'm still a sad teenager on the inside, but I'm also a pretty happy adult trying to figure myself out and talk about love in a more mature way," Weiss reflects. Weiss' maturity shined on the self-released I Was An Island EP.
Earlier this year, Weiss received one of the biggest honors of her young career. She was handpicked by Lou Reed to join his backup band for a European tour. While some might be intimidated by the presence of a rock legend, she tried to absorb as much as possible from the experience. "Our soundchecks were two hours long and he'd be there the whole time, breaking a song down into the tiniest parts, perfecting the sound." Weiss remembers. "He has this way of breaking you down with brutal honesty and building you back up with the most genuine praise. One minute he looks you in the eye and says your note was terrible. The next minute he stops the song to tell you how beautiful you just sounded."
If she took anything from Mr. Reed however, it was the reminder to always have fun and enjoy the ride. The sky is the limit at this point for Ms. Weiss. "My favorite moment is right now. I feel like I've just made the record I've been dying to make. I started playing electric guitar again. I got my hands on a tour van. I played in Europe with a legend. I flew over the Atlantic four times this summer. I've got this constant feeling that something great is about to happen."
-Phoenix New Times
"I have always liked your voice. You've got so much warmth in it. Your songs literally write meet the sun across them. It is the sort of music you would listen to in a car on a roadtrip when you have got the feeling of freedom..it makes you dream of a different time. It is basically music that conveys a life that I have to dream of at the moment, but can't have. To the visuals, it shows the literal sun and it shows you (well you represent the sun as well)" ~ Esther Riess, Groovy Soul, Hamburg Germany
"Listening to your music felt like laying in a meadow" -audience member from the Void
"I love the caressing melody and feel. It’s so warm and as I'm writing this I just realized that, it makes me feel like how I do when I close my eyes and let my heart take in the warm sunlight..I was thinking really deeply about the soul I feel in your music" ~Vincent Virovac
130 N. Central Ave.
Phoenix, AZ, 85004